用音乐言说——马勒《第二交响曲》的叙事布局与结构寓意  

Music Speaks:The Narrative and Structure of Mahler's Symphony No.2

作　　者：张晨[1] Zhang Chen

机构地区：[1]沈阳音乐学院音乐学系,沈阳110818

出　　处：《音乐文化研究》2023年第2期103-114,共12页Music Culture Studies

摘　　要：文章以叙事和话题理论为出发点,以马勒《第二交响曲》为分析对象,试图在音乐文本、结构分析中揭示马勒隐含其中的叙事内容和手段,解开马勒使用音乐语言隐匿的谜题。马勒的复兴与时代审美改变息息相关,他的作品于20世纪60年代起持续火热,与其说这是1902年预言的实现,不如说是历史剧变及文本理论兴盛所带来的效应。伴随着接受者对马勒音乐审美判断的改变,之前被视为音乐和文化融合的弱点,如今成为它真正的力量,作品具有历史上“不可衡量”的意义,能够嘲弄所有以前的解说和绝对音乐的风格类别。Music is a language in which the composer can use musical notation to write the intended narrative into the text,and the listener comprehends the story from the medium by reading and listening to the text.Music distinguishes itself from literature while could be inspired by other art forms.Taking the narrative and topic as a starting point,this article uses Mahler's Symphony No.2 as a case study to reveal Mahler's implicit narrative and approaches through a musical text and structural analysis.It aims to unlock the hidden riddles of Mahler's musical language.The revival of Mahler was closely linked to the aesthetic changes of the times.The continued popularity of his works from the 1960s onwards was not a fulfilment of the prophecy of 1902 but an effect of the dramatic changes in history and the flourishing of textual theory.Along with a change in the aes-thetic judgement of Mahler's music by its recipients,a weakness of musical and cultural fusion became its true strength.The significance of this historically.immeasurable'work responds to all previous interpretations and stylistic categories of absolute music.

关 键 词：马勒《第二交响曲》 死亡叙事 话题引喻 

分 类 号：J657.611[艺术—音乐]