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作 者:魏洋 伏俊琏[1] Wei Yang;Fu Junlian(College of Language and Literature,China West Normal University,Nanchong 637000,China)
出 处:《六盘水师范学院学报》2023年第3期35-46,共12页Journal of Liupanshui Normal University
基 金:国家社会科学基金重大项目“5—11世纪中国文学写本整理、编年与综合研究”(16ZDA175)。
摘 要:P.3967写本是一件唐人诗歌手稿。写本正面为诗抄,保存了7首诗,经考证,前6首诗为周卿所作,第七首为泰法师所作;背面为杂抄、祭文稿及诗稿。对P.3967进行“写本学”考察,逐一探讨每一书写纸张的抄写粘合形态与内容,明晰了写本的抄写顺序及制作过程,认为应是周卿制作了这个写本。从周卿的手稿,到他的誊抄本,再到精心制作的这一诗抄写本,可以发现吐蕃统治敦煌时期一位滞留在敦煌的中原文士,用制作写本诗集的方法来表达他的悲愤情感。The manuscript of P.3967 is a Tang poetry manuscript.The front of the manuscript is a copy of poetry,which pre⁃serves seven poems.After research,the first six poems were written by Zhou Qing,and the seventh poem was written by Master Tai;On the back are miscellaneous manuscripts,sacrificial texts,and poetry manuscripts.By conducting a"Codicology"on P.3967,we explored the form and content of transcription and bonding for each writing paper,clarified the transcription order and production process of the manuscript,and believed that it should be Zhou Qing who made this manuscript.From Zhou Qing's man⁃uscript,to his transcript,and to the meticulously crafted copy of this poem,it can be found that a Central Plains scholar who was stranded in Dunhuang during the Tibetan occupation used the method of creating a collection of poems to express his grief and in⁃dignation.
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