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作 者:聂春华[1] NIE Chun-hua(School of Humanities,Guangdong University of Education,Guangzhou 510303,China)
机构地区:[1]广东第二师范学院文学院,广东广州510303
出 处:《南通大学学报(社会科学版)》2023年第4期60-67,共8页Journal of Nantong University:Social Sciences Edition
摘 要:计算机等新媒体带来的文本技术,对长期以来占主导地位的无身体的文学传统提出了挑战。新媒体技术带来的写作和阅读惯例将改变身体关注的重心,即对新媒体文学的理解首先需要回答真实身体作为意义生产的来源和动力等问题,然后才能解决身体的观念、意义和表征等问题。新媒体文学中的身体问题出现在人机交互的三个维度中:其一,在新媒体文学中,身体介入容易造成文本意义的失效,但合理的文本设计能让身体介入成为意义生产的来源和动力;其二,新媒体文学的真正作者是人机交互的赛博格作者,其意义生产规则是人类作者的设计参与和机器的数据库与算法的结合;其三,人机交互产生的虚拟身体在文本空间中的呈现方式打破了传统文学的线性表达规则,使角色和场景的空间位置、轨迹和关系成为意义生产的主导因素。这三个维度体现了新媒体文学“用身体进行书写”而非“对身体的书写”的重要意义。The text technology brought by new media poses a challenge to the dominant“bodyless”literature tradition.The writing and reading conventions brought about by the new media technology will change the focus of the body’s attention,that is,the understanding of the new media literature needs to answer firstly the question of the corporeal body as the source and power of meaning production,before answering the question of the body’s idea,meaning and representation.The body problems in new media literature appear in three dimensions of human-computer interaction:Firstly,in new media literature,body engagement is easy to cause the meaning to lose its effectiveness,but reasonable textual design can make body engagement become the source and driving force of meaning production;Secondly,the real author of new media literature is the cyborg author of human-computer interaction,and its meaning production rule is the combination of human authors’design participation and machine’s database and algorithm;Thirdly,the presentation of virtual body in text space produced by human-computer interaction breaks the linear expression rules of traditional literature,and makes the position,track and relationship of characters and scenes in space become the dominant factors of meaning production.These three dimensions reflect the significance of new media literature as“writing with body”rather than“writing of body”.
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