论审视中国早期乐节的几个维度  

Examining Various Aspects of Early Chinese Musical Rhythms

作　　者：林桢 Lin Zhen

机构地区：[1]宁波大学人文与传媒学院,浙江宁波315211

出　　处：《艺术探索》2023年第3期120-128,共9页Arts Exploration

基　　金：浙江省哲学社会科学规划年度重点(青年)课题“以‘乐节’为中心的词体‘长短句’生成原理研究”(23NDJC016Z);浙江省省属高校基本科研业务费专项资金资助项目“词体‘长短句’形态生成考源——以乐节为主要切入点”(SJWY2022011)。

摘　　要：在以板拍为主、鼓拍为辅,且板拍得以用鼓拍量度的板眼体系确立之前,因缺少可量度主拍的辅拍,中国乐节不易量度。若以乐节只作为由若干乐音构成的音乐结构单位来审视中国早期乐节,依其有无规范性,可分为自然乐节、规制乐节;依生成缘起有别,可分作乐住节(即音高线的住止)、乐顿节(即节奏的停顿);依乐节层级不同,有乐篇之节、乐章(段)之节、乐句之节、乐顿节之分。先秦以降,规制乐节呈由大而小的发展趋势,自然乐节逐渐规制化。其中乐篇、乐章(段)、乐句诸节更多地指向音高线结构单位,乐顿节更多地具有节奏单位的意义。Before the introduction of the clapper system,which is mainly based on the clapper and supplemented by the drum clapper,and measures the clapper,the Chinese musical rhythms were not easy to measure because of the lack of auxiliary clappers that could measure the pace of the main clapper.If we regard early Chinese musical rhythms as musical structural units consisting of several sounds,these can be subdivided into natural musical rhythms and regulated musical rhythms,due to the latter's standardization.Because of their different origins,these can be divided into music stop clip(the stop of the pitch line)and music paused clip(the stop of the rhythm).Because of the different rhythmic levels,these can be distinguished into musical movements,paragraphs,phrases,and paused rhythms.Since the pre-Qin period,regulated rhythms have developed from large to small,while natural rhythms have gradually turned into regulated rhythms.Among these,the musical movements,paragraphs,phrases have pointed more to the structural unit of pitch,while paused rhythms bear more meaning to rhythmic unit.

关 键 词：乐节 拍板 鼓板 板眼 

分 类 号：J60[艺术—音乐]