实用理论能否与审美理论共存--对刘若愚分析图式的再思考  

Whether Practical Theory Can Coexist with Aesthetic Theory--Rethinking Liu Ruoyu′s Analytical Schema

作　　者：李珂珂 刘静[1] LI keke;LIU Jing(School of Literature,Chongqing Normal University,Chongqing 401331,China)

机构地区：[1]重庆师范大学文学院,重庆401331

出　　处：《西安航空学院学报》2023年第4期59-64,共6页Journal of Xi’an Aeronautical Institute

摘　　要：刘若愚在《中国文学理论》一书中对于实用理论的划分隐含着这样一层意思,即认为理论家在论述文学作品的审美特质时不会涉及文学作品的实际功用。这一观点具有一定的局限性,即把认同读者在阅读作品时可以同时获得审美与道德教化两种体验的相关文学理论割裂开来。运用中国文学理论以及艾布拉姆斯的艺术四要素分析框架分别从内外两个方面说明刘若愚分析图式所具有的局限性。造成这一局限性的原因则在于刘若愚对“道”的推崇以及对儒家实用主义这一文学传统的关注。Liu Ruoyu′s division of practical theory in Chinese Literary Theory implies that theorists do not refer to the actual function of literary works when discussing the aesthetic characteristics of literary works.This view has certain limitations,that is,it separates the relevant literary theories which agree that readers can gain both aesthetic and moral education experiences when reading works.The limitations of Liu Ruoyu′s analytical schema can be illustrated from both internal and external aspects by using Chinese literature theory and Abrams′four critical theories.The reason for this limitation lies in Liu Ruoyu′s praise of"Tao"and his attention to the literary tradition of Confucian pragmatism.

关 键 词：刘若愚 实用理论 艾布拉姆斯 

分 类 号：I01[文学—文学理论]