心性现实主义的主体间性构型——以近十年中国电视剧人物性格塑造为例  

Intersubjectivity Configuration in Mind-Nature Realism:A Case Study of Character Personality Shaping in Chinese TV Dramas over the Past Decade

作　　者：王一川[1] Wang Yichuan

机构地区：[1]北京师范大学文艺学研究中心暨文学院

出　　处：《艺术传播研究》2023年第2期5-16,共12页Journal of Art Communication

摘　　要：从近十年中国电视剧的创作可以看出,外来现实主义同中国古典心性论传统之间产生了心性现实主义这一新趋势,其突出表现在于主体间性构型。心性现实主义在当前电视剧作品中出现如下几种主体间性构型模式:愚而智式主体、散而聚式主体、识而行式主体、异而同式主体、创而让式主体、变而安式主体、过而改式主体和融通式主体。这些模式的共存对于当代中国社会变迁景观具有重要的审美认识价值,可以用来应对当前流动型社会中主体生存方式的丰富性与复杂性,也可得见中国电视剧创作在反映现实生活的丰富性与复杂性方面取得了长足的进步;但同时需要看到其理想主义色调偏浓而其现实性和反思性偏弱。Over the past decade,a new trend has emerged in Chinese TV dramas,known as Mind-Nature Realism.This trend combines elements of foreign realism with the Chinese classical theory of the human mind and human nature("xinxing"),and places emphasis on the concept of intersubjectivity configuration.Several intersubjectivity configuration patterns can be observed in current Chinese TV dramas,including the foolish-but-wise,the dispersal-yet-congregated,the knowing-to-acting,the different-and-same,the innovative-but-modest,the flexible-yet-stable,the erring-to-improve,and the harmonious subject.The coexistence of these character patterns holds significant aesthetic cognition value for the changing landscape of contemporary Chinese society.They can be used to understand rich and complex survival strategies individuals employ in our rapidly evolving society and can reflect the significant progress made by Chinese TV dramas in depicting the complex real life.However,it is worth noting that these character patterns often lean towards idealism and may lack a realistic or introspective perspective.

关 键 词：心性现实主义 主体间性 主体间性构型 中国电视剧 

分 类 号：J905[艺术—电影电视艺术]