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作 者:徐国庆 Xu Guoqing
机构地区:[1]上海师范大学人文学院
出 处:《艺术传播研究》2023年第2期69-81,共13页Journal of Art Communication
基 金:国家社科基金重大项目“中国现代文学图像文献整理与研究”(编号:16ZDA188)的阶段性成果。
摘 要:抗日战争前后的“国防电影”,是在民族危机的背景下,以宣传抗战和团结爱国为核心的、表现民族不屈意志的电影艺术潮流。当时上海的不少电影期刊在宣传国防电影方面,经历了氛围营造与理论铺垫、具象宣传与影响提升、隐性宣传与概念扩容三个阶段,延续了其一贯坚持的民族精神,展现了关注国家命运、把握时代指向的责任感和使命感。这些期刊不仅拓展了国防电影的宣传形式和宣传空间,还增强和弘扬了社会大众的民族意识与爱国精神。在出版界与电影界交织向前的征途中,上海电影期刊和国防电影共同深刻影响了中国电影史的进程。National defense films before and after the War of Resistance were a form of film art that emerged under the influence of the national crisis.They had the core objective of advocating for resistance,unity and patriotism,portraying the indomitable will of the nation.The promotion of national defense films in Shanghai's film periodicals went through three stages:creating atmosphere and establishing theoretical groundwork;communicating specifics and increasing influence;implicit promoting of ideas and expanding concepts.They upheld the consistent national spirit and demonstrated a firm sense of responsibility and mission to grasp the destiny of the country and the direction of the times.Shanghai film periodicals not only expanded the forms and spaces of communication for national defense films,but also enhance the national consciousness and patriotism of the public.In their intertwined journey,Shanghai film periodicals and national defense films jointly demonstrated the persistence of the nation and the resistance against aggression,profoundly influencing the development of Chinese film history.
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