神圣与世俗之间:河南当代作家与圣经  

Between the Sacred and the Profane:Contemporary Henan Writers and the Bible

作　　者：许相全[1,2] XU Xiangquan(School of Chinese and Literature,Henan Normal University;Institute of Cross-Culture and World Literature,Tianjin Normal University.)

机构地区：[1]河南师范大学文学院 [2]天津师范大学跨文化与世界文学研究院

出　　处：《圣经文学研究》2023年第2期1-40,共40页Journal for the Study of Biblical Literature

基　　金：河南省哲学社会科学规划项目“世界文学视阈下的解放区文学研究”(编号:2021BWX014)的阶段性成果。

摘　　要：河南民间基督教文化土壤构成了作家圣经书写的基础。以周大新、李佩甫、刘震云、阁连科为代表的河南当代作家形成了圣经书写的两种方式:一为贴近圣经神圣性,从理想性和现实性两个层面与圣经构成对话,利用圣经丰富作品的意义空间;二为立足河南文化,从世俗性层面瓦解圣经神圣性,把圣经融入乡土文化与乡土叙事之中。河南当代作家的圣经书写为利用圣经讲述中国故事提供了范例。在具体写作中,作家应兼顾“隔”与“化”,既立足本土文化,又尊重经典自身特性,充分发挥外来经典在讲述中国故事中的作用。The Christian folk culture of Henan has formed the basis of much Bible-inspired literature.Contemporary Henan writers represented by Zhou Daxin,Li Peifu,Liu Zhenyun and Yan Lianke draw on the Bible in two distinct ways:one mode cleaves closely to the sacredness of the Bible,forming a dialogue with the Bible on the two planes of the ideal and the real,and using the Bible to enrich the meanings in the work;while in the second,rooted in Henan culture,the sacrality of the Bible is collapsed from a secular plane,and the Bible is integrated into local culture and local narrative.The writings of contemporary authors in Henan province provides a good example of using the Bible to tell China's story.In their specific works,writers should heed both"separation"and"transformation",that is,both root themselves in local culture and respect the particular nature of the Scripture,giving full play to the role of foreign classics in telling China's story.

关 键 词：圣经 神圣 世俗 河南当代作家 中国故事 

分 类 号：I206.7[文学—中国文学] B971[哲学宗教—宗教学]