但丁与奥维德的“取材”及其对文学传统的挑战  

The Inventio of Ovid and Dante and Their Challenge to Literary Traditions

作　　者：游雨泽 You Yuze(Sapienza University of Rome,Rome 00185,Italy)

机构地区：[1]罗马第一大学法学院

出　　处：《外国文学研究》2023年第3期58-68,共11页Foreign Literature Studies

摘　　要：《变形记》与《神曲》之间的联系并不止于但丁对奥维德笔下神话的引用与改写,这两部史诗在内容与叙事风格层面分别创造了整全的宇宙。这种整全性在内容上体现为完整的时间与空间,在叙事风格上体现为对不同流派的兼容并蓄:但丁实践了奥维德的“变形”概念,即吸收、改造其文学范本与模仿对象的能力。两位诗人分别通过与各自在文学创作上的借鉴与模仿对象的对比,尝试定义自身的诗学身份。但丁通过“取材”这一方式实现了对文学传统的挑战,继承并发展了奥维德叙述中的诗学革新,进而创建了属于自己的文学传统。The connection between Metamorphoses and The Divine Comedy is not merely limited to Dante's citation and adaptation of Ovidian myths as both epics create their own complete universe in content and narrative style.Such a concept of completeness is reflected by the integrity of time and space in content and by the inclusion of different modes in narrative style:Dante put in practice Ovid's concept of“metamorphosis,”that is,the ability to assimilate and transform his literary models and objects of imitation.Both poets attempt to define their poetic identities by contrasting their literary borrowings and imitations in their respective literary writings.Launching his challenge to literary traditions by means of inventio,Dante inherited and developed Ovid's poetic innovation of epic narrative and,therby,established his own literary tradition.

关 键 词：《变形记》 《神曲》 诗学宇宙 取材 诗学革新 

分 类 号：I106.2-03[文学—世界文学]