《东北画报》与东北新美术运动中的革命图景(1945—1948)  

The Northeastern Illustrated and Revolution in the New Art Movement in Northeast China(1945-1948)

作　　者：于冠超 Yu Guanchao(the School of Art,Heilongjiang University)

机构地区：[1]黑龙江大学艺术学院

出　　处：《美术》2023年第7期92-101,共10页Art Magazine

基　　金：国家社科基金艺术学项目《东北地区现代美术运动研究(1931—1945)》(批准号:21BF099)的阶段性研究成果。

摘　　要：东北新美术运动是东北革命文艺建设中的重要实践内容,践行该运动的《东北画报》在配合解放战争和土地改革的革命运动中,发挥了以文艺的形式宣传革命、动员民众,应对东北社会巨大文化分野的重要作用。《东北画报》聚集了以鲁艺为中坚的革命文艺力量,在理论宣传与艺术创作两个方面完成了新美术的革命主题和形象塑造。围绕《东北画报》中美术作品展开的图像研究,实证了毛泽东文艺思想下工人图像首次出现在东北新美术运动中。这是工农兵文艺理论图像化的起点证明,也为后来红色文艺的发展提供了可供资鉴的经验。The New Art Movement in northeast China was an important part in the development of revolutionary literature and art in the region.In this Movement,the Northeastern Illustrated publicized revolution and mobilized people via literature and art to help promote the War of Liberation and the Land Reform,playing a vital role in dealing with huge cultural divisions in northeast China.The Pictorial,gathering strong literary and artistic forces for revolution with the Luxun School of Art as the backbone,developed new revolutionary themes and images in publicizing theories and creating artworks.This paper studies artworks in the Northeastern Illustrated and proves that worker images under the guidance of Mao Zedong's literary and art thoughts first appeared in the New Art Movement,which is a start of putting literary and artistic theories regarding workers,peasants and soldiers into creation practice and provides reference for the development of revolutionary literature and art.

关 键 词：东北画报 新美术运动 延安精神 工农兵形象 

分 类 号：G219.29[文化科学—新闻学] J120.9[艺术—艺术理论] K26[历史地理—历史学]