界首彩陶图像叙事研究  

Study on the Image Narration of Jieshou Painted Pottery

作　　者：王子夺[1] Wang Ziduo(Jiangsu Vocational Institute of Architectural Technology,Xuzhou,221116)

机构地区：[1]江苏建筑职业技术学院,徐州221116

出　　处：《陶瓷研究》2023年第3期1-4,共4页Ceramic Studies

摘　　要：界首彩陶图像基于农耕文化内在逻辑与表达结构,具有图像叙事属性和叙事表征。通过对界首彩陶图像叙事文化艺术精神实质阐述,探究其产生内在依据和民间文化审美结构性语境,推动图像叙事的群体认同感关联延展。辩证思考界首彩陶当代转型的多重社会动因及精神文化生产机制重构,以图像活态移植、图像程式流变、图像资源交互为路径,由此不断带来图像“活化”传承过程予以文化价值增值,提升界首彩陶图像的审美话语体系。Jieshou painted pottery images,based on the inherent logic and expression structure of farming culture,have image narrative attributes and narrative representations.Through expounding the essence of Jieshou painted pottery image narrative culture and art spirit,explore its internal basis and folk culture aesthetic structural context,and promote the extension of group identity of image narrative.Dialectically think about the multiple social causes of the contemporary transformation of Jieshou painted pottery and the reconstruction of the spiritual and cultural production mechanism,take the image live transplantation,image program transformation,and image resource interaction as the path,thus constantly bring about the image "activation" inheritance process to add cultural value,and improve the aesthetic discourse system of Jieshou painted pottery images.

关 键 词：界首彩陶 图像叙事 文化认同 审美话语 

分 类 号：J527[艺术—艺术设计]