先秦音乐美学构建中的齐鲁文化因素  

Qilu Cultural Factors in the Construction of Pre-Qin Music Aesthetics

作　　者：毛睿 曾繁仁[1] Mao Rui;Zeng Fanren(Literature and Art Aesthetics Research Center,Shandong University,Jinan Shandong,250000)

机构地区：[1]山东大学文艺美学研究中心,山东济南250000

出　　处：《山东师范大学学报（社会科学版）》2023年第3期70-76,共7页Journal of Shandong Normal University(Social Sciences)

基　　金：中国博士后科学基金第71批面上资助二等项目“生生美学视域下的音乐美育新范式构建”(2022M711940)的阶段性成果。

摘　　要：先秦音乐美学是中国音乐美学发展中的一座高峰,它的形成和发展与齐鲁文化有着密切的关系。正是在齐鲁人士的积极参与和推动下,蕴含着浓厚的齐鲁文化因素的先秦音乐美学才得以构建。其中,齐鲁人士的音乐思想构成了先秦音乐美学的核心内容;齐鲁两地丰富的音乐实践为先秦音乐美学的形成提供了实践逻辑;齐鲁两地频密的学术活动推动了先秦音乐美学的构建。这个时期的音乐美学不仅具有丰富的文字材料和思想材料,而且已经具有了自身的内在结构,为整个中国音乐美学思想的发展奠定了基础。Pre-Qin musical aesthetics is a peak in the development of Chinese musical aesthetics and its formation and development are closely related to Qilu culture.It is with the active participation and promotion of Qilu people that the pre-Qin musical aesthetics containing strong Qilu cultural factors can be constructed.It must be mentioned that the music thoughts of Qilu people constituted the core content of pre-Qin music aesthetics;Qilu’s rich musical practice provided practical logic for the formation of pre-Qin musical aesthetics;the frequent academic activities between Qi and Lu boosted the construction of pre-Qin musical aesthetics.The musical aesthetics of that period not only had rich written materials and ideological materials,but also possessed its own internal structure,and it laid the foundation for the development of the entire Chinese musical aesthetic thought.

关 键 词：先秦音乐美学 齐鲁文化 中国音乐美学 “和” 

分 类 号：B835[哲学宗教—美学]