藏传佛教中汉乐遗存研究述要  

The Research on the Remains Hanyue in Tibetan Buddhism

作　　者：银卓玛[1] Ying Droma

机构地区：[1]中国艺术研究院研究所

出　　处：《西藏艺术研究》2023年第1期20-27,共8页Tibetan Art Studies

摘　　要：通过对藏传佛教中汉传佛教音乐遗存的相关研究文献的搜集、分类与研读,对现有成果进行分析,概述重要学者和文献以及不同视角、观点及方法等,可有助于较全面地了解该领域国内外的基本学术理念和研究现状。对藏传佛教音乐中汉传佛教音乐遗存问题的研究工作具有一定的参考价值。This paper through the collection,classification and study of the research literature on the Han Buddhist music remains in Tibetan Buddhism,the existing results which are analyzed,and the important scholars,literature,perspectives,viewpoints and methods are given its importance.It can have a more comprehensive understanding of the concern,investigation,description and research on the Han Buddhist music remains in Tibetan Buddhism.Therefore,it is certain theoretical and practical significance to clarify the basic academic concepts and research status of relevant researches of domestic and foreign scholars for the study of Tibetan Buddhist religious music and the survival of Han Buddhist music.

关 键 词：藏传佛教 汉传佛教音乐 汉藏佛教音乐文化交流 文化交融 

分 类 号：J639[艺术—音乐]