井上厦《芭蕉守灵舟》对松尾芭蕉形象的戏仿与重塑  

The Parody and Recreation of Matsuo Bashō's Image in BashōTsuyabune by Inoue Hisashi

作　　者：崔雪婷[1] Cui Xueting(Nankai University,China)

机构地区：[1]南开大学外国语学院

出　　处：《日语学习与研究》2023年第3期71-79,共9页Journal of Japanese Language Study and Research

基　　金：2021年度天津市研究生科研创新项目“井上厦戏剧作品中的中国形象研究”(项目编号:2021YJSB028)的阶段研究成果。项目负责人:崔雪婷。

摘　　要：日本现代剧作家井上厦的独角戏剧本《芭蕉守灵舟》描写了“俳圣”松尾芭蕉的一生,其独特的表现形式与虚实结合的创作手法在现代戏剧中独树一帜,其中松尾芭蕉的形象也与芭蕉的既有形象大相径庭。《芭蕉守灵舟》中突出松尾芭蕉生理方面的病态表现,以“孤独”为视角对传主形象进行塑造,并且通过“戏中戏”结构完成作者在场的建构。井上厦用崭新的评传方法塑造了独具一格的芭蕉形象,“戏仿+”手法又让《芭蕉守灵舟》凸显出与众不同的现代价值。井上厦对松尾芭蕉形象的戏仿以及剧本中超越戏仿的表现,是后现代主义思潮中剧作家向旧时代的“芭蕉论”与传统创作手法的挑战,这种颠覆促成了松尾芭蕉及其文学在现代的“新生”,同时也是作家对自身创作道路的内省和参悟。The monodrama BashōTsuyabune,by the modern Japanese dramatist Inoue Hisashi,is loosely based on the life of"Haisei"(Haiku sage)Matsuo Bashō.The combination of fiction and reality in this script,as well as its unique form of expression,distinguishes BashōTsuyabune from other modern dramas,and the image of Matsuo Bashōpresented is also largely different from past images.Focusing on Matsuo Bashō's pathological manifestations in BashōTsuyabune,this essay discusses the"play in play"structure and"parody+"structure of this monodrama.Through an in-depth interpretation of the relationship between the physiological manifestations and the theme of isolation,the essay examines how Bashō,as a fictional character in Inoue's script,has gradually formed and developed his artistic style by isolating himself.By clarifying how Inoue Hisashi has parodically recreated Matsuo Bashō's image,the author points out that under the influence of the postmodernist trend,Inoue challenged the pre-established"Bashōanalysis"and traditional writing techniques.This subversion has also facilitated the recreation of Matsuo Bashō's image and literature.

关 键 词：井上厦 松尾芭蕉 评传剧 戏中戏 戏仿+ 

分 类 号：I313.073[文学—其他各国文学]