成长叙事中的家庭创伤记忆书写与情感认同——以“80后”女作家的小说为例  

The Writing of Family Traumatic Memories and the Emotional Identity in Coming-of-Age Narratives:A Case Study of Novels by Post-1980s Female Writers

作　　者：韩旭东 Han Xudong

机构地区：[1]南开大学文学院,天津300071

出　　处：《南开学报（哲学社会科学版）》2023年第4期72-79,共8页Nankai Journal:Philosophy,Literature and Social Science Edition

基　　金：国家社会科学基金重大项目(17ZDA242);天津市青年科学研究项目(TJZW21-007)。

摘　　要：家庭创伤记忆是青年成长叙事中阻滞人格主体建构的障碍与生成畸形情感伦理的动因。纾解精神创伤、呼唤亲情关怀、直面家族史等是以张悦然、张怡微、笛安为代表的部分“80后”女作家群体亟需处理的问题。在回溯创伤记忆时,《茧》《细民盛宴》《西决》《东霓》等相关文本的叙事人贴近隐含作者的距离,将历史原罪、情感经济、家族隐秘指认为精神创伤成因,以对生父母、继父母和代父母的态度渐变完成情感认同,并借自白语调与叙事节奏使创伤书写或内蕴审慎节制、以柔克刚之美,或呈露出主体情绪恣肆宣泄的快意夸饰之美。但青年作家生活经验与历史反思力有限,自怜情结与性别身份的困囿使相关文本暴露了精神分析写作或情感夸张式宣泄的局限。Memories of family trauma were barriers to the construction of personalities and the formation of abnormal emotional ethics in the narration about the coming-of-age of the youth.Releasing spiritual trauma,calling for family sympathy and carrying the burden of family history were the issues that needed to be addressed by some post-1980s female writers,such as Zhang Yueran,Zhang Yiwei and Di An.When tracing memories of trauma,the narrators of Jian(茧),Ximinshengyan(细民盛宴),Xijue(西决),and Dongni(东霓) indicated the relationship with the writers.They referred to historical original sins,emotional economy and family privacy as causes of spiritual trauma.Their changing attitudes toward parents,step-parents and surrogate parents reflected their emotional identity.The confessional tones and narrative rhythms displayed the aesthetic of trauma writing.However,young writers' limited life experiences and historical reflections,along with their self-pity and gender identity constraints,expose the limitations of these texts,revealing tendencies towards psychoanalytical writing or exaggerated emotional catharsis.

关 键 词：成长叙事 家庭创伤记忆 情感认同 “80后”女作家 

分 类 号：I207.42[文学—中国文学]