二周文章观的文体意识——以“散文诗”为中心  

The Style Consciousness of Zhou Brothers'Views of Literature—Centered on the“SanwenshiC”Conception

作　　者：李乐乐 Li Lele

机构地区：[1]四川大学外国语学院

出　　处：《励耘学刊》2023年第1期289-306,390,共19页

摘　　要：二周至迟在1907年前后听闻“散文诗”这一概念,通过对“散文”(prose)、“诗”(poem)这一对并不完全匹配概念的重新理解,在跨文体的意义上确认了“散文诗”的相对位置,并由此介入对中国文章的论说。“散文诗”是诗与文章之间实现“文体转换”“新文体生成”的一处自由空间,其与后来通行的文体概念判然有别。也正是借助这一预留的园地,周氏兄弟此后不断带来新的表达方式,颠覆早前自身也曾参与塑造的、主要通过效法西方“文学概论”推动的新文学秩序,实际以文章观构成对纯文学经典化的再次反拔,从而不断激活与丰富新文学的传统。Zhou Brothers hadn't heard of the"Prosadichtung/Sanwenshi"concept until around 1907.They tried to reinterpret this pair of incompletely matched concepts of"prose"and"poem",and confirmed the status of"sanwenshi"from the cross-style writing perspective.On this basis,they started to participate in discussing the definition of literature in modern China."Sanwenshi"seems like a free space between the poem and the prose,achieving"style conversion"and"new writing style creating".It was different from the writing style concept that became popular later on.Thanks to this preserved space,Zhou Brothers kept introducing new ways of expressions,and even overturned the new literature order that they had once participated in its creation and promotion through imitating the"introduction to literature"of the western world.In fact,Zhou Brothers rectified the pure literary canonization again by their views of literature,thus continuously activating and enriching the traditions of Chinese new literature.

关 键 词：周氏兄弟 文章观 文体意识 散文诗 

分 类 号：I207.25[文学—中国文学]