从大足北山245龛“观”木构在石窟寺净土题材中的“参演”  

Reviewing the Performance of Wooden Architecture in the Grotto Temples Themed on Sukhabati through the North Mountain Shrine 245 of Dazu Rock Carvings

作　　者：王璠 冯棣[1] WANG Fan;FENG Di

机构地区：[1]重庆大学建筑城规学院,重庆大学山地城镇建设与新技术教育部重点实验室,重庆400030

出　　处：《新建筑》2023年第4期19-25,共7页New Architecture

基　　金：国家自然科学基金面上项目(51678085);教育部人文社会科学研究一般项目(21XJAZH001)。

摘　　要：目前我国唐代木构实例遗存不多,且只有单体而无群体,因而对有唐一代整体建筑史或地方史的研究需要借助同时期的石构建筑信息进行佐证。西南地区石窟寺经变龛中保留的建筑及组群信息成为佐证研究的关键史料。但关于其建筑元素来源、构图规律演变、艺术加工成分尚未得到系统、充分地阐释。文章以佛教净土经变题材为对象,梳理石窟中的木构建筑形象与组群关系在表达净土意境中的适应性发展过程,辨析其中真实且有效的建筑信息,为“以图证史”建立新的视角和历史依据。At present,there are very few remaining cases of wooden buildings of the Tang Dynasty preserved in China,and what have been left of these buildings do not show an overall layout.Information on the preserved buildings and their groups in the southwestern grottoes themed on sukhabati is a key historical source to support the study.However,the sources of architectural elements,the evolution of composition rules and the components of artistic processing have not been systematically and fully explained.Taking the grottoes themed on sukhabati as the object,this paper explores the adaptive development process of the architectural image and the complex relationship of Chinese wooden architecture in the artistic conception of expressing sukhabati,sorts out the real and valid architectural information between them,and establishes a new perspective and historical basis for“demonstrating history through images”.

关 键 词：唐代建筑 石窟寺 经变图 大足北山245龛 

分 类 号：TU-092[建筑科学—建筑理论]