卞之琳“邦家大事”书写中的“趣味”追求  

The Pursuit of"Interest"in Bian Zhilin's Writings on National Affairs

作　　者：秦林芳[1] Qin Linfang

机构地区：[1]南京晓庄学院文学院

出　　处：《江苏社会科学》2023年第4期186-196,I0005,共12页Jiangsu Social Sciences

基　　金：国家社科基金重点项目“解放区前后期文学的关联性研究”(18AZW019)的阶段性成果。

摘　　要：从1938年8月至1941年初,卞之琳在书写“邦家大事”中表现出了对于趣味的自觉追求。在内容层面上,他在表现“邦家大事”这一重大题材时,从自己“小处敏感”的特性出发,精心选择和穿插了许多有趣和有意味的细节。在艺术表现层面上,为了凸显和放大这些细节中所包蕴的趣味,他采用了对比、反讽、物象化呈现等多种生动有效的方法。他对抗战形势的乐观认识、对书写对象特点的准确把握和对接受对象审美需求的真切认知,是推动其作品趣味追求的重要动力;而既往京派趣味观念的浸润及在这一观念指导下开展的艺术实践,又使之锤炼出了趣味表现的能力。卞之琳以其相关书写在反映解放区斗争生活方面拓展出了一个新的表现视角,丰富了解放区前期文学创作的审美色调。From August 1938 to early 1941,Bian Zhilin demonstrated a conscious pursuit of"interest"in his writings on national affairs.At the content level,he carefully selected and interwove many interesting and meaningful details,starting from his own sensitivity to small things whenportraying the significant subject matter of"national affairs".At the artistic level,he employed various vivid and effective devices such as contrast,irony,and objectification to highlight and magnify the interest inherent in these details.His optimistic understanding of the situation of the War of Resistance,accurate grasp of the characteristics of the subjects he wrote about,and genuine understanding of the aesthetic needs of the intended readers were important driving forces behind his pursuit of interest.Additionally,the influence of previous Beijing-style notions of interest and the artistic practice guided by these notions sharpened his ability to express interest.Through his relevant writings,Bian Zhilin expanded a new perspective on reflecting the struggles and life in the liberated areas,enriching the aesthetic tone of early literary creations in the liberated areas.

关 键 词：卞之琳 “邦家大事” 趣味 解放区文学 

分 类 号：I206.6[文学—中国文学]