追寻经典之光纪念百年诞辰——论蒋孔阳的德国古典美学研究  

In Memory of Centenary Anniversary of Jiang Kongyang--On Jiang Kongyang's Study of German Classical Aesthetics

作　　者：刘涛[1] LIU Tao(Department of Chinese Language and Literature,Fudan University,Shanghai 200433,China)

机构地区：[1]复旦大学中国语言文学系,上海200433

出　　处：《美育学刊》2023年第4期37-45,共9页Journal of Aesthetic Education

基　　金：国家留学基金委“2021年国家建设高水平大学公派研究生项目”(202106100067)的阶段性成果。

摘　　要：蒋孔阳先生是我国当代著名的美学家,其《德国古典美学》是我国首部对西方美学断代史进行系统研究的专著,是“西方美学断代史研究的经典之作”。蒋孔阳把德国古典美学视为开启西方美学史大门的一把“钥匙”,德国古典美学家的艺术观对蒋孔阳“美学是以艺术为中心,来研究人对现实的审美关系”这一思想的形成产生了重要影响。《德国古典美学》的经典性和学术价值体现在该著在蒋孔阳学术研究和美学体系中承前启后的地位、历久弥新的学术魅力以及其中的关系论思想对形而上学思维的突破等方面。Mr.Jiang Kongyang was a famous aesthetician in contemporary China.His German Classical Aesthetics was the first book that systematically studied German classical aesthetics in China,and it is also the classic work of dynastic history research of Western aesthetics.This paper aims to explore why Jiang Kongyang regarded German classical aesthetics as a key that can open the door of Western aesthetic history.As a matter of fact,German classical aestheticians'artistic views exerted great influence on the formation of Jiang Kongyang's thoughts of“aesthetics studies the aesthetic relationship between humans and reality with the focus on art”.The classical and academic values of German Classical Aesthetics are reflected in its role as a link between the past and the future in Jiang Kongyang's academic research and aesthetic system,its enduring academic charm,as well as its relational thinking and breakthroughs in metaphysical thinking.

关 键 词：蒋孔阳 《德国古典美学》 文学艺术 审美关系 经典性 

分 类 号：B83-09[哲学宗教—美学]