话剧《北京法源寺》中晚清服饰的现实意义  

The Practical Significance of Clothing in Late Qing Dynasty in the Drama Beijing Fayuan Temple

作　　者：李一行 LI Yihang(School of Media Arts,Sichuan Culture and Media Vocational College,Chongzhou 611230,China)

机构地区：[1]四川文化传媒职业学院传媒艺术学院,四川崇州611230

出　　处：《西部皮革》2023年第14期142-144,共3页West Leather

摘　　要：话剧是一门囊括了文学、音乐、舞蹈、美学等的综合艺术。田沁鑫是中国剧坛首屈一指的女性导演,其舞美设计富含独特的东方美学思想,这一点在话剧《北京法源寺》晚清服饰的应用上表现得尤为突出。文章分析了话剧《北京法源寺》主要人物的服饰设计,探究话剧中人物服饰的现实意义。研究认为,剧中人物的服饰随着剧情的变化而改变,正寓意着清朝末年的时代发展变化。Drama is a comprehensive art which includes literature,music,dance,aesthetics and so on.Tian Qinxin is a leading female director in Chinese theatrical circles.Her stage design is rich in unique Oriental aesthetic thoughts,which is particularly prominent in the application of costumes in the late Qing Dynasty in the drama Beijing Fayuan Temple.This paper analyzes the costume design of the main characters in the drama Beijing Fayuan Temple,and explores the practical significance of the costume of the characters in the drama.According to the research,the characters'costumes changed with the changes of the plot,which symbolizes the development and change of The Times in the late Qing Dynasty.

关 键 词：演出服 晚清服饰 历史话剧 《北京法源寺》 现实意义 

分 类 号：J824[艺术—戏剧戏曲] TS941.11[轻工技术与工程—服装设计与工程]