检索规则说明:AND代表“并且”;OR代表“或者”;NOT代表“不包含”;(注意必须大写,运算符两边需空一格)
检 索 范 例 :范例一: (K=图书馆学 OR K=情报学) AND A=范并思 范例二:J=计算机应用与软件 AND (U=C++ OR U=Basic) NOT M=Visual
作 者:张翼[1] ZHANG Yi(Foundational Course Department,Fujian Police College,Fuzhou 350007,China)
机构地区:[1]福建警察学院基础课教学部,福建福州350007
出 处:《集美大学学报(哲学社会科学版)》2023年第4期76-84,共9页Journal of Jimei University:Philosophy and Social Sciences
基 金:国家社会科学重大资助项目(20&ZD284)。
摘 要:新世纪20年中国文学创作已成为重要的学术议题。散文诗作为新文体在中国历经百年的探索积累,终有一些崭新的审美要素发生,逐渐树立了文体品质和自信。近20年来,散文诗通过修辞能力激增、题材扩容、民族特质的显现以及对真正强力精神结构的召唤,反映现代社会的多重文化特征和心理症候,呈现国人生活经验和精神世界的芜杂、微妙。重审散文诗创作得失,意在反思当前诗歌创作的整体情况,为散文诗创作寻找可供转化的精神和形式资源。Chinese literature in the first 20 years of the new century has become an important academic focus.Prose poetry,as a new style,has experienced a hundred years of exploration and accumulation in China,and finally some new elements have occurred,gradually establishing the stylistic quality and aesthetic confidence.In the past two decades,prose poetry reflects the multi-cultural characteristics and psychological symptoms of modern society through the surge in rhetorical ability,the emergence of national characteristics and the call for a truly powerful spiritual structure,and presents the miscellaneous and subtle life experience and spiritual world of Chinese people.Reviewing the gains and losses of prose poetry creation is intended to reflect on the overall situation of current poetry creation and find spiritual and formal resources for prose poetry creation.
正在载入数据...
正在载入数据...
正在载入数据...
正在载入数据...
正在载入数据...
正在载入数据...
正在载入数据...
正在链接到云南高校图书馆文献保障联盟下载...
云南高校图书馆联盟文献共享服务平台 版权所有©
您的IP:216.73.216.70