王先谦“何异骈散”观及其文体批评价值  

Wang Xianqian’sView of“HeYi Pian San”and ItsValue in Literary Criticism

作　　者：赵静 ZHAO Jing(School of Literature and Communication,Xianyang Normal University,Xianyang 712000,Shaanxi,China)

机构地区：[1]咸阳师范学院文学与传播学院,陕西咸阳712000

出　　处：《咸阳师范学院学报》2023年第3期100-105,共6页Journal of Xianyang Normal University

基　　金：国家社会科学基金项目(22BZW017)。

摘　　要：晚清至民初的骈体批评,其话语言说从推骈尊骈逐渐转换为等视、融通骈散,进而推进骈体形态更臻成熟完善。在这种文体批评趋势中,较为典型者如王先谦所倡“何异骈散”说,他以选本批评方式表明平视骈散的文体观,从文章本体同构的角度论析骈体创作,认可将骈散两大体式加以融通,实现以文体创构为目标的两种为文技法的互用。就近代中西文化交汇碰撞的文体境遇而言,这种调和骈散式文章观念的补充具有独特的体认中华文体传统的批评价值。From the late Qing Dynasty to the early Republic of China,the prose of the Pian style criticism gradually changed from Zun Pian to equal Pian and San,thus promoting the Pian style to be more mature and perfect.In this trend of stylistic criticism,the more typical one,such as Wang Xianqian who advocates“He Yi Pian San”said,he chooses this mode of criticism to indicate the literary view,from the point of view of the article ontology isothermal analysis of parallel style creation,recognizes the stylistic creation for the purpose of integrating two kinds of literary techniques and means.In terms of the literary situation of the intersection of Chinese and Western cultures in modern times,the addition of the idea of harmonizing Pian and San style articles has a unique critical value of recognizing the Chinese literary tradition.

关 键 词：王先谦 “何异骈散” 融通 文体批评 

分 类 号：I222.5[文学—中国文学]