形象学视域下的中西“行走文学”比较  

A Comparison of Chinese and Western‘Walking Literature’from the Perspective of Imagology

作　　者：罗卫 Luo Wei(Nantong University,Nantong,226001)

机构地区：[1]南通大学,南通226001

出　　处：《语言与文化研究》2023年第4期175-178,共4页Language and Culture Research

摘　　要：《小癞子》描述一个卑贱穷苦孩子的坎坷人生,抨击了16世纪西班牙没落贵族和教士的堕落糜烂生活;《三毛流浪记》则刻画了流浪儿三毛的动荡岁月,揭露了中国旧社会弱肉强食的残忍社会局面。本研究基于比较文学形象学视角,从以上中西行走文学案例中的“自我”与“他者”,中西流浪汉形象与社会集体想象两个层面得出“小癞子”与“三毛”形象异同点及原因。La Vida de Lazarillo de Tormes describes the rough life of a humble and poor child,and criticizes the decadent and corrupt life of the declining aristocrats and priests in Spain in the 16th century.Sanmao Wandering depicts the turbulent years of the vagrant Sanmao and exposes the cruel social situation of the jungle in the old Chinese society.Based on the perspective of imagology of comparative literature,this study draws the similarities and differences between the images of Xiao Laizi and San Mao from the two aspects of“self”and“other”in the Chinese and Western walking literature cases and the images of Chinese and Western vagrants and social collective imagination.

关 键 词：《小癞子》 《三毛流浪记》 形象学 流浪汉形象 

分 类 号：I20[文学—中国文学]