工具理性的批判:波兹曼媒介文化批判思想的理论溯源  

The Criticism of Instrumental Rationality:The Theoretical Origin of Postman's Critical Thought of Media Culture

作　　者：陈彤 CHEN Tong(School of Art,Liaoning University,Shenyang 110136,China)

机构地区：[1]辽宁大学艺术学院,辽宁沈阳110136

出　　处：《辽宁大学学报（哲学社会科学版）》2023年第3期122-130,共9页Journal of Liaoning University(Philosophy and Social Sciences Edition)

基　　金：辽宁省教育厅人文社科类青年项目“波兹曼媒介思想研究”(WQN201736);辽宁大学青年社科基金项目“波兹曼电视文化批判理论研究”(LDQN2017016)。

摘　　要：尼尔·波兹曼媒介文化批判理论思想的形成受到诸多后现代文化理论的影响,有着复杂的社会历史与文化语境成因。具体来看,波兹曼的理论思想是基于丹尼尔·贝尔提出的后工业社会背景而建立的,它立足于赫胥黎所构建的反技术乌托邦性质的人文主义立场,汲取了法兰克福学派与意识形态理论的批判精神,继承并发展了麦克卢汉的当代媒介文化理论,最终与鲍德里亚等人的商业符号消费理论形成现实互释,吹响了对于当代西方工具理性与技术垄断批判的先锋号角。The formation of Neil Postman's critical theory of media culture is influenced by many postmodern culture theories,which has complicated causes of social history and cultural context.Specifically,Postman's theoretical thoughts were founded on the background of post-industrial society proposed by Daniel Bell,based on Huxley's humanistic stance of anti-technological utopia,absorbed the critical spirit of Frankfort School and ideological theory,and inherited and developed McLuhan's contemporary media culture theory.Finally,it formed a realistic mutual interpretation with the commercial symbol consumption theory of Baudrillard,and sounded the pioneer horn to criticize the contemporary western instrumental rationality and technological monopoly.

关 键 词：尼尔·波兹曼 人文立场 大众媒介 技术批判 

分 类 号：G206[文化科学—传播学]