接受、适应与整合:改革开放前后的中国舞蹈跨文化交流  

Empathy,Acceptance and Integration: Cross-Cultural Exchange of ChineseDance over the Period of Reform and Opening-up

作　　者：徐颃 张茜 XU Hang;ZHANG Qian(Zhejiang Conservatory of Music,Hangzhou 310024;Beijing Dance Academy,Beijing 100081,China)

机构地区：[1]浙江音乐学院,杭州310024 [2]北京舞蹈学院,北京100081

出　　处：《北京舞蹈学院学报》2023年第3期41-47,共7页Journal of Beijing Dance Academy

基　　金：2019年度国家社科基金艺术学重大项目“中国舞蹈跨文化交流理论与实践研究”(项目编号19ZD18)阶段性成果。

摘　　要：在当今全球化背景之下,中国舞蹈的跨文化交流与传播已然成为国家文化发展的重要组成部分。而改革开放前后中国舞蹈跨文化研究一直没能得到足够重视。伴随着新中国成立国家在工业体系和国民经济体系的建设方面做出了巨大努力的同时,中国舞蹈事业同样开启了崭新的篇章。文章以毛泽东“三个世界”的概念为划分依据、以“跨文化敏感发展模式”视角对改革开放前后中国舞蹈跨文化交流的样貌进行阐释。在此基础上,文章尝试探讨中国舞蹈以独立的姿态如何在不同文化传统的交流中对自我和他者进行身份定位。In the context of globalization,the cross-cultural communication and dissemination of Chinese dance have become an important part of national cultural development.The cross-cultural research on Chinese dance has not been paid enough attention over the period of Reform and Opening-up.With the founding of the People’s Republic of China,the country has made great efforts in constructing the industrial and national economic system,and Chinese dance has also opened a new chapter.Based on Mao Zedong’s concept of“Three Worlds”and from the perspective of“development model of intercultural sensitivity”,this paper explains the image of cross-cultural communication of Chinese dance over the period of Reform and Opening-up.It attempts to explore how to position the identity of the cultural subject and others in the exchange of different cultural traditions when Chinese dance stands independently in front of the world.

关 键 词：跨文化敏感发展模式 中国舞蹈 跨文化交流 

分 类 号：J792.6[艺术—舞蹈]