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作 者:马天恒 MA Tianheng(Jiangsu Open University,Nanjing,210036)
机构地区:[1]江苏开放大学,南京210036
出 处:《温州职业技术学院学报》2023年第2期33-36,50,共5页Journal of Wenzhou Polytechnic
摘 要:南戏《张协状元》从社会外部思想文化环境与人性内里两方面入手,在揭示宋代婚变问题社会原因的同时,又就社会文明结构重构给人们思想上带来的震动和新兴贵族阶级被迫异化的“人性”予以关注。张协与王德用都在世俗世界的摸爬滚打中,在自我不断被“异化”的过程里,最终以主动纳受“利益婚”的形式完成了自己人格的置换。《张协状元》为“婚变剧”内蕴的表达扩展了空间和维度,张协“换汤不换药”的两次婚姻,既是异化的人性所致,也是他在世俗世界中被迫做出的无奈选择。Taking the external ideological and cultural environment of society and the inner and outer aspects of human nature as the entry point,Nanxi Zhang Xie Zhuang Yuan revealed the social causes of the marriage problem in the Song Dynasty,and simultaneously highlighted the shock brought by the reconstruction of the structure of social civilization to people’s minds and the forced alienation of the emerging aristocratic class“human nature”.Zhang Xie and Wang Deyong were both struggling in the secular world.In the process of continuous“self-alienation”,they finally completed the replacement of their personality in the form of actively accepting the“benefit marriage”.In this way,Zhang Xie Zhuang Yuan expanded the connotation expression of“Marriage Drama”in space and dimension,and Zhang Xie’s two different marriages,like old wine in a new bottle,were not only the result of the alienation of human nature,but also the helpless choice he was forced to make in the secular world.
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