论晚清北京小说版画的文本接受与传播  

Communication and Dissemination of Beijing Novel Illustrations in the Late Qing Dynasty

作　　者：李国平 程国赋[2] LI Guoping;CHENG Guofu(College of Literature,Guangzhou University,Guangzhou,Guangdong 510006;College of Literature,Jinan University,Guangzhou,Guangdong 510632)

机构地区：[1]广州大学人文学院,广东广州510006 [2]暨南大学文学院,广东广州510632

出　　处：《中国文学研究》2023年第3期91-102,共12页Research of Chinese Literature

基　　金：国家社会科学基金重大项目“中国历代小说刊印文献汇考与研究”(15ZDB070)。

摘　　要：晚清北京小说版画数量丰富,刊刻技艺精湛。文光楼、宝文堂、本立堂所刊小说人物绣像,像赞与文本多维互文,呈现忠孝节义主题特征。小说版画形态绘制结合了京剧中生旦净丑角色装扮,融入了舞台身段、造型、脸谱,反映出时代精神与市民审美。京戏化人物绣像对上海小说插图演进产生重要影响,促进了近代小说人物绣像的京剧脸谱化风格生成。In the late Qing Dynasty,there were abundant novel illustrations in Beijing and their printing skills were exquisite.Wenguang Bookshop,Baowen Bookshop,and Benli Bookshop published illustrations,which are intertextualized with the novel texts,showing the theme of loyalty,filial piety and integrity.The form of illustrations is combined with the stage figures of Peking Opera,reflecting the spirit of the times and the aesthetics of the citizens.The Peking Opera of illustrations had an important influence on the evolution of Shanghai novel illustration and promoted the formation of the Peking Opera style of character in modern novel illustrations.

关 键 词：北京 小说版画 文本接受 京剧 传播 

分 类 号：I206.2[文学—中国文学]