昌耀20世纪90年代诗歌的悖论性及其诗学意义  

The Paradox of Chang Yao's Poetry in the 1990s and Its Poetic Significance

作　　者：范云晶 FAN Yunjing(College of Literature and Journalism,Inner Mongolia University,Huhehaote,Inner Mongolia O10070)

机构地区：[1]内蒙古大学文学与新闻传播学院,内蒙古呼和浩特010070

出　　处：《中国文学研究》2023年第3期176-183,共8页Research of Chinese Literature

基　　金：教育部人文社会科学规划基金项目“20世纪90年代诗歌的语言策略与表意方式研究”(19YJA751009)。

摘　　要：昌耀20世纪90年代诗歌具有鲜明的悖论性,主要表现为“高原经验”观照下的城市认知悖论,想说清又不想说清的表意悖论,以及坚信与怀疑并在的意义探寻悖论。悖论特征既是诗人悖论式生存实际与矛盾内心的外化,又是为了满足有效表意需要的自我调整,这一时期混杂、盘诘与玄奥诗歌风貌的形成亦与此相关。悖论性真实地勾勒出昌耀个人的精神历险轨迹,呈现了诗人与现实的互动关系,同时亦彰显出现代汉语诗歌文体本身应有的表达之难,具有多重诗学意义。Chang Yao's poetry in the 1990s has a clear paradox,mainly manifested in the urban cognitive paradox under the view of“the experience of the plateau”,the paradox of clearness and unclearness,and the meaning of persistence and suspicion.The characteristics are not only the poet's paradoxical survival reality and the externalization of contradictions,but also the self-adjustment to meet the needs of effective expression.The formation of mixed,entrenched,and mysterious poetry in this period is also related to this.Paradox outlines the personal spiritual adventures of Chang Yao,presenting the interaction between the poet and the reality,and highlighting the difficulty of the expression of the modern Chinese poetry style.It has multiple poetic meanings.

关 键 词：昌耀 20世纪90年代诗歌 悖论性 

分 类 号：I227[文学—中国文学]