现代传媒对延安新秧歌的抚育与型塑——以《解放日报》为主要考察对象  

The Nurturing and Shaping of Yan’an Xin Yangge by Modern Media——Taking Jiefang Daily as the Main Object of Investigation

作　　者：魏安晨 刘慧珍[2] WEI Anchen;LIU Huizhen(School of Television Arts,Communication University of Zhejiang,Hangzhou,Zhejiang,China 310018;School of Chinese Language and Literature,Beijing Normal University(Zhuhai),Zhuhai,Guangdong,China 519087)

机构地区：[1]浙江传媒学院电视艺术学院,浙江杭州310018 [2]北京师范大学(珠海)文学院,广东珠海519087

出　　处：《内蒙古师范大学学报（哲学社会科学版）》2023年第3期49-54,共6页Journal of Inner Mongolia Normal University：Philosophy and Social Sciences Edition

摘　　要：新秧歌是抗战时期延安大众化文艺运动中最具特色的艺术形式,它的出现不仅是时代的需要,更是现代多重话语和多种传播方式共同作用的结果。以《解放日报》为代表的现代报刊充当了最主要的大众传播媒介,通过理论探讨和创作、演出实践,甚至参与这一运动本身,对新秧歌的主题、内容、形式进行规范,对新秧歌的文体形式及风格的形成起到了不容忽视的作用,从而影响了运动的走向,建立了新秧歌的审美规范,使得新秧歌运动完全按照党中央的意图,达到了宣传民众、团结民众、鼓舞民众的作用。现代传媒不仅对新秧歌具有抚育之功,还有型塑之效。Xin Yangge was the most distinctive art form in the popular artistic movement of Yan'an during the Anti-Japanese War.Its emergence was not only the need of the times but also the result of multiple modern discourse and dissemination methods.Modern newspapers represented by Jiefang Daily acted as the most important mass media.Through theoretical discussion,creation,performance practice,and even participating in the movement itself,they regulated the theme,content and form of Xin Yangge,thus establishing its trend,aesthetic standard and role of publicizing,uniting and encouraging people in accordance with the central government's intention.Modern media not only nurtured but also shaped Xin Yangge.

关 键 词：延安 新秧歌 现代传媒 抚育 型塑 

分 类 号：I207.3[文学—中国文学]