共相与变异:“西园雅集”文化意象的东亚传播与视觉呈现  

Commonality and Variation:The Transmission and Visual Presentation of the Cultural Image of“Xiyuan Yaji”in the East Asian Cultural Circle

作　　者：肖雪 Xiao Xue

机构地区：[1]四川师范大学艺术研究院、巴蜀文化研究中心,成都610068

出　　处：《延边大学学报（社会科学版）》2023年第5期61-70,共10页Journal of Yanbian University：Social Science Edition

摘　　要：“西园雅集”作为中国文化史上一个重要的文化意象,代表了中国古代文人士大夫群体独特的文化精神、人生境界以及审美意趣,并在明清时期迎来了艺术创作的高峰期。与此同时,随着中国在东亚文化圈中影响力的不断提升,这一极具中国特色的“典型性”文化意象开始在18世纪后期的李氏朝鲜与日本江户时代得到传播与流行。同一时期,中、日、朝三国对于“西园雅集”文化意象的视觉化诠释体现出“和而不同”的艺术特征,体现了东亚文化圈的交融与互动、共相与变异。As an important cultural image in China’s cultural history,“Xiyuan Yaji”(a literati gathering at Xi Garden)represents the unique cultural spirit,life realm and aesthetic interest of the ancient Chinese literati and officials,and ushered in the peak of artistic creation in the Ming and Qing Dynasties.At the same time,with the continuous enhancement of China’s influence in the East Asian cultural circle,this“typical”cultural image with Chinese characteristics transmitted and popularized in the late 18 th century inYi Dynasty of Korea and Edo era in Japan.The visual interpretation of the cultural image of“Xiyuan Yaji”by China,Japan and Korea reflects the artistic feature of“harmony in diversity”,and demonstrates the melting,interaction,commonality and variation among the East Asian cultural circle.

关 键 词：东亚文化圈 “西园雅集” 文化意象 李氏朝鲜 江户时代 

分 类 号：G125[文化科学] K31[历史地理—历史学]