汪曾祺文学批评论绎  

Wang Zengqi’s Literary Criticism

作　　者：刘成才[1] LIU Cheng-cai(College of Liberal Arts,Nantong University,Nantong 226019,China)

机构地区：[1]南通大学文学院,江苏南通226019

出　　处：《宁波大学学报（人文科学版）》2023年第5期55-62,共8页Journal of Ningbo University：Liberal Arts Edition

基　　金：江苏高校哲学社会科学研究重大项目“当代江苏文学批评的范式衍变与艺术贡献研究”(2022SJZD140);江苏省作家协会2022年度“重点扶持文学创作与评论工程”项目“当代江苏文学批评的代际衍变与美学贡献研究”。

摘　　要：汪曾祺的文学批评与文学创作相互映照,以极高的辨识度共同组成丰富的文学世界。汪曾祺的文学批评属于“印象派批评”,摒却理论,纯以鉴赏家艺术眼光聚焦于作家作品情感内核,修辞立其诚是其批评审美创造的核心要义。他看重批评的美学功用,主张文学教育、审美作用统一,却又对不公与丑恶直言相对。他厌恶批评的评论腔和八股气,极具语言自觉和文体自觉,以独特“汪氏文体”推动批评臻至美文之境界,为当代文学批评确立了新的审美范式。他甘愿为青年做梯,心怀关爱照顾之慈心,更对今天的文学批评尤具警醒之义,也是重读汪曾祺文学批评之现实意义所在。Wang Zengqi’s literary criticism and literary creation reflect each other,forming a rich literary world with a high degree of discernment.Wang Zengqi’s literary criticism belongs to the“impressionist criticism”style,abandoning theory and focusing purely on the emotional core of the writer’s work with the perspective of an appreciator of art.The essence of his criticism lies in the aesthetic function of criticism,advocating the unity of literary education and aesthetic impact,while also speaking out against injustice and ugliness.He detests clichéd and formulaic criticism,possessing a strong sense of language and style consciousness.Through his unique“Wang-style”writing,he pushes criticism to the level of excellent literature,establishing a new aesthetic paradigm for contemporary literary criticism.He willingly serves as a ladder for the younger generation,showing his caring and compassionate heart,and his works also serve as a warning for contemporary literary criticism,highlighting the significance of re-reading Wang Zengqi’s literary criticism in today’s reality.

关 键 词：汪曾祺 文学批评 审美创造 美学功用 文体自觉 

分 类 号：I206.7[文学—中国文学]