京畿空间与中唐吏隐诗学的体系建构  

On the Construction of the System of Counties near the Capital and the Poetry on Official reclusion in Mid-Tang Dynasty

作　　者：徐贺安 XU He’an

机构地区：[1]信息工程大学洛阳校区,471000

出　　处：《杜甫研究学刊》2023年第3期93-105,共13页Journal of Du fu Studies

摘　　要：中唐是吏隐主题诗歌发展演变的重要时期,而中唐吏隐诗学的发展定型与京畿空间关系密切,具体是由钱起、韦应物、白居易、姚合等京兆府畿县县官推动。京畿空间是仕与隐交织的场所,为吏隐主题的形成提供了自然条件。诗人“官”与“吏”的双重定位、地方官与中央官交集的工作环境营造了吏隐主题创作的政治前提。“文以饰官,隐以淡吏”构成了创作群体的情感表达。“幽”与“闲”的交响显示出创作群体的审美趣味。萌芽性、间歇性、持久性反映出中唐吏隐主题诗歌的演进特点。中唐京畿吏隐诗学的产生、构成、变化都是值得探讨的问题。The mid-Tang Dynasty was an important period for the development and evolution of poetry with the theme of official reclusion.Its development and standardization in the mid-Tang Dynasty were closely related to the capital area,specifically promoted by county officials from the Jingzhao Prefecture,such as Qian Qi,Wei Yingwu,Bai Juyi,and Yao He.The capital area was a place where the realms of officialdom and seclusion intertwined,providing natural conditions for the formation of the theme of official reclusion.The dual positioning of poet as both an official and a citizen,as well as the working environment where local and central officials intersect,created the political premise for the creation of the theme of official reclusion.The expression of emotions by the creative group was based on the concept of“adorn officials with literature and embrace simplicity as a recluse”.The interplay between sereneness and leisureness reveals the aesthetic taste of the creative group.The characteristics of emergence,intermittence,and longevity reflect the evolutionary nature of the poetry with the theme of official reclusion in the mid-Tang Dynasty.The genesis,structure,and changes of the poetry of official reclusion in the capital area in mid-Tang Dynasty are worthy of exploration.

关 键 词：畿县 县官 吏隐 中唐 

分 类 号：I207.22[文学—中国文学]