当下与传统的接通——关于龟兹乐舞的“历史民族舞蹈学”思考  

Connecting the Present with the Tradition:Thinking on“Historical Ethno-Dancolgoy”of Music and Dance of Kucha

作　　者：梁萍 Liang Ping(Yancheng Teachers University,Jiangsu Yancheng 224007)

机构地区：[1]盐城师范学院音乐学院,江苏盐城224007

出　　处：《中国舞蹈学》2023年第1期165-179,351,352,共17页CHOREOLOGY IN CHINA

摘　　要：传统的活态舞蹈和历史并不是断裂的,舞蹈和历史传统在不同程度上有一致性的存在。然而,对其关注的层面却未把当下和历史的关系予以“接通”,遮蔽了传统存续和历史的一致性。龟兹石窟中较好地保存了大量的乐器、乐舞图像,并且汉唐时期在龟兹乐舞传入中土后又有大量的文献得以记载。笔者认为,在左图(龟兹地区保存的壁画图像资料)右书(历史文献记载)的“二重证据法”基础上,再辅以当代遗存的民间歌舞的活态资料的“三重证据”,通过调查新疆齐满镇“库车赛乃姆”的民间歌舞的活态层面,溯流而上,探其本源,可实现历史与当下的“接通”。Traditional living dance and history are not broken,but exist in different degrees of consistency.However,the relation between the present and the history has not been connected,obscuring the consistency of tradition and history.A large number of musical instrument and music and dance images are better preserved in Qiuci Grottoes,and after the introduction of music and dance of Kucha into the Middle Earth in the Han and Tang Dynasties,there was a great deal of literature to record.The author thinks that on the basis of“double evidence”by referring to both preserved mural images in Kucha and historical documents,supplemented by“triple evidence”of contemporary heritage of folk dance living data,connecting the present with the tradition can be realized through the investigation of living level of folk songs and dances of“Kucha Sanam”in Qiman Town of Xinjiang and exploration of its origin.

关 键 词：龟兹乐 库车赛乃姆 接通 

分 类 号：K87[历史地理—考古学及博物馆学]