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作 者:周星[1] 刘丽珺[1] Zhou Xing;Liu Lijun(Beijing Normal University,Beijing 100875)
机构地区:[1]北京师范大学,北京100875
出 处:《中国舞蹈学》2023年第1期196-204,354,355,共11页CHOREOLOGY IN CHINA
摘 要:舞蹈艺术的美妙在于基于人的自身,运用人的身体与心灵在虚实之间表现一种预想的精神期望的艺术境界。而以人为核心的舞蹈艺术的精湛,不仅体现为肢体间技能技巧的娴熟,而且凝聚着肢体外化的修养、素养和文化。本文对于舞蹈艺术长期以来在学术伸张上的缺失,认为在“新文科”建设的触动下,必然会对舞蹈艺术产生新的认知,培育出新一代文舞双修的舞蹈人。因此,作为一名舞蹈教育工作者,不仅要强化对舞蹈艺术理论和舞蹈文化趣味的认知,而且要强化对艺术审美价值的认定和文化审美意义的传承。The beauty of dance art lies in the artistic realm based on people’s own,which uses people’s body and mind to express a kind of anticipatory spiritual expectation between imagination and reality.The perfection of dance art with human medium is not only reflected in the proficiency of the skills between the limbs,but also embodies the cultivation,accomplishment and culture of the externalization of the limbs.As for the lack of academic extension of dance art for a long time,the article believes that under the influence of the construction of new liberal arts,it is inevitable to have a new understanding of dance art and cultivate a new generation of dancers who are both literates and dancers.Therefore,as a dance educators not only to strengthen the understanding of dance art theory and dance cultural interest,but also to strengthen the identification of artistic aesthetic value and the inheritance of cultural aesthetic significance.
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