“美的艺术”视阈下“舞蹈”概念的再认知  

Dance Concept in Field Research of Chinese Folk and Ethnic Dance

作　　者：王昕[1] Wang Xin(Department of Dance Study,Beijing Dance Academy,Beijing 100081)

机构地区：[1]北京舞蹈学院舞蹈学系,北京100081

出　　处：《中国舞蹈学》2023年第1期205-216,355,356,共14页CHOREOLOGY IN CHINA

摘　　要：今天我们谈论的“舞蹈”是一个源自西方的艺术概念,主要是来自欧洲的艺术术语,是“美的艺术”概念下的艺术门类,它具有其自身“质的规定性”和区别于其他“技艺”的代表性特征。本文从“美的艺术”历史发生、“美的艺术”意蕴内涵、“美的艺术”与舞蹈这三个层面入手,在阐释分析“美的艺术”概念与内涵的同时,对其下属的艺术门类舞蹈的概念及内涵进行深度的再认知。As for Chinese folk and ethnic dance,arts colleges and artistic companies present‘dance’and its concept in field research.Though they bear the same name,the essence is totally different.To be more accurate,dance in field research can be called music dance,opera dance,dance ceremony or entertainment etc.The key point of this paper is how to get rid of western dance concept and investigate the one in field research in an objective,reasonable and neutral way.

关 键 词：美的艺术 舞蹈 自律性 本体论 

分 类 号：G63[文化科学—教育学]