女性主义视角下井陉拉花审美风格变迁研究  

A Study on the Changes of Jingxing Lahua Aesthetic Style from the Perspective of Feminism

作　　者：徐熳[1] 温丽媛 Xu Man;Wen Liyuan(College of Arts&Design Yanshan University,Hebei Qinhuangdao 066000)

机构地区：[1]燕山大学艺术与设计学院,河北秦皇岛066000

出　　处：《中国舞蹈学》2023年第1期242-253,360,361,共14页CHOREOLOGY IN CHINA

摘　　要：井陉拉花是产生并流传于河北省太行山东麓井陉县内的汉族民间舞蹈,作为中国乡土文化艺术的代表,其内部形式要素和美学特征在社会进步的过程中发生着时代转型。在井陉拉花千百年的传承中,伴随社会环境及意识形态的更迭,井陉拉花女性动作逐渐得以彰显,在表现文化自信、推动文化自觉、凝聚族群文化认同方面提供着智慧源泉与内在动力。本文将以历史为依托,以现实为参照,通过对井陉拉花的历史梳理分析传统动作形成的背景,运用拉班结构舞谱对传统与现代的典型动作进行记录,并分析归纳女性动作变化的审美特征,进而以马克思主义女性主义理论和拉班动作分析原理对其文化进行释义,从而在动作变迁中发掘女性动作由“内敛”向“释放”审美变迁的根本动因。Jingxing Lahua is a folk dance of the Han nationality that originated and spread in Jingxing County,east of the Taihang Mountains in Hebei Province.As a representative of Chinese local art and culture,its internal form elements and aesthetic characteristics are undergoing a transformation of the times in the process of social progress.In the thousands of years of inheritance of Jingxing Lahua,with the change of social environment and ideology,Jingxing Lahua women’s actions have gradually been highlighted,providing a source of wisdom and internal power in expressing cultural selfconfidence,promoting cultural consciousness,and condensing ethnic cultural identity.Based on history and reality,this paper will analyze the background of the formation of traditional movements by combing the history of Jingxing Lahua,record the typical traditional and modern movements with the Laban structure dance score,analyze and summarize the aesthetic characteristics of women's movements,and then interpret its culture with Marxist feminist theory and Laban movement analysis principle,In this way,we can explore the fundamental reason for the aesthetic change of women’s movements from“introverted”to“released”.

关 键 词：井陉拉花 女性动作 女性主义 主体意识 

分 类 号：G63[文化科学—教育学]