剧场作品影像化——评荷兰NDT舞团多学科舞蹈电影新作MIST  

Visualization of Theater Works:Comment on the new multidisciplinary dance film MIST by the Dutch NDT Dance Troupe

作　　者：刀娜塔吉 黄大广 杨开周 NaTaJi-Dao;Huang Daguang;KaiZhou-Yang(Yunnan Minzu University,Yunnan Kunming 650031)

机构地区：[1]云南民族大学,云南昆明650031

出　　处：《中国舞蹈学》2023年第1期327-338,369,370,共14页CHOREOLOGY IN CHINA

摘　　要：舞蹈剧场的概念形式自20世纪20年代由库特·尤斯创造使用以来,再由皮娜鲍什于舞台上重建构造,使舞蹈艺术的表现形式更加生动有机。发展至今,同新兴多媒体技术的融合,通过多种学科跨界交流,舞蹈剧场作品与电影艺术相结合,呈现出剧场作品影像化的趋势,且国际艺术潮流也在积极助推舞蹈影像节的开展。而在全球疫情常态下,线上艺术更成为各艺术团体的“一线生机”,多元化异彩纷呈的舞蹈视听觉艺术通过艺术家的个体角度被创造发展出来,让观者了解到舞蹈本体的自然趣味以及人自身与世界万物、自然天地间的联结密不可分。Since the conceptual form of dance theater was created and used by Kurt Yoss in the 1920s,it was reconstructed on the stage by Pina Bausz,which made the expression of dance art more vivid and organic.Up to now,through the integration of emerging multimedia technologies and crossborder exchanges of various disciplines,the combination of dance theater works and film art has shown a trend of video-based theater works,and the international art trend is also actively promoting the development of the Dance Video Festival.Under the normal situation of the global epidemic,online art has become the“first-line life”of various art groups.The diverse and splendid dance audio-visual art is created and developed through the artist's individual perspective,allowing the audience to understand the nature of dance itself.Interest,as well as the connection between man himself and all things in the world,nature,heaven and earth are inseparable.

关 键 词：舞蹈剧场 舞蹈影像 新媒体 媒介 多学科跨界 

分 类 号：G63[文化科学—教育学]