拉赫玛尼诺夫《d小调第三钢琴协奏曲》的思想意义  

The Ideological Significance of Rachmaninoff's Piano Concerto No.3 in D Minor

作　　者：伍维曦[1] Wu Weixi

机构地区：[1]上海音乐学院音乐学系,上海200031

出　　处：《北方音乐》2023年第3期27-34,共8页Journal of the Northern Music

摘　　要：谢尔盖·拉赫玛尼诺夫的《d小调第三钢琴协奏曲》是一部经典的20世纪音乐文献。该文以“文艺学式”的评论手法,对这部杰作的意义做特定思想语境的阐发,在理解音乐作品的内涵同时,对其所产生的“长时段环境”、其风格和体裁要素的复杂关联性进行论述,继而对拉赫玛尼诺夫所代表的20世纪俄罗斯音乐家与西方现代音乐的关系,进行再思考。Sergei Rachmaninoff's Piano Concerto No.3 in D minor is a classic work in 20th century musical repertoire.By the critical approach of the theory of literature and art,the author elucidated the meaning of this masterpiece in the particular ideological context.And at meanwhile understand-ing the connotations of the musical work,the article discuss the“long time environment”in which it was output as well as the complex correlation of its stylistic and genre elements.Then,the author re-thought in terms of the relationship between the Russian musicians,represented by Rachmaninoff,and Western modern music of the 20th century.

关 键 词：拉赫玛尼诺夫 《D小调第三钢琴协奏曲》 协奏曲 浪漫主义 20世纪 俄罗斯精神 

分 类 号：J609.9[艺术—音乐]