论贾平凹商州系列长篇小说中的空间书写  

On the Space Writing in Jia Pingwa’s Shangzhou Series Long Novels

作　　者：魏家文[1] 李建红 Wei Jiawen;Li Jianhong(School of Literature,Guizhou University,Guiyang,Guizhou,550025)

机构地区：[1]贵州大学文学院,贵州贵阳550025

出　　处：《语文学刊》2023年第4期72-77,共6页Journal of Language and Literature Studies

基　　金：国家社科基金西部项目“莫言与沈从文乡土小说比较研究”(15XZW030)阶段性研究成果。

摘　　要：贾平凹商州系列长篇小说中的空间书写与他对故乡的空间记忆密切相关。在贾平凹的笔下,具有隐喻意义的自然“风景”、兼具地理性和精神性的人文“风水”,以及作为作家生命印记的方言土语,共同建构起商州这一充满地域文化色彩的乡土空间。对以秦腔为代表的传统文化日益式微的担忧,传达了作家对现代化负面性的反思及文化寻根之意。从文学地理学的视角来看,“商州”实际上是贾平凹在真实地理空间基础上用文字创造出来的文学空间,既是贾平凹“精神望乡”的产物,又是具有象征意味的文学空间。The space writing in Jia Pingwa’s Shangzhou series long novels is closely contacts with the spatial memory of his home.In the description of Jia Pingwa,the natural scenery which have the metaphorical significance,the“feng shui”which both have the rational and spiritual cultural,and the dialects which as the mark of a writer together construct the Shangzhou space which full of local and culture color.The concerns about Qinqiang’s increasingly decline which on behalf of the traditional culture,conveys Jia Pingwa’s modern reflection and the looking for cultural roots idea.From the perspective of literature geography,in fact,Shangzhou is a literary space creates on the basis of real geographic space by Jia Pingwa.It‘s not only the product of Jia pingwa’s spiritual hometown,but also the literary space which has the symbolic meaning.

关 键 词：贾平凹 商州系列长篇小说 空间书写 精神望乡 

分 类 号：I206.7[文学—中国文学]