“阈限”与“交融”视域下的“拉康加羌姆”  

Lha khang kya cham Dance Through the Perspectives of"Liminality"and"Integration"

作　　者：万代吉 Wande Jyi

机构地区：[1]青海师范大学法学与社会学学院

出　　处：《西藏艺术研究》2023年第2期65-70,共6页Tibetan Art Studies

基　　金：2019年度国家社会科学基金项目“乡村振兴背景下藏族民间仪式舞蹈研究”(批准号:19MZ084)阶段性成果;山南市重大招标项目“山南社会经济文化调查研究”子课题“西藏山南舞蹈文化研究”成果。

摘　　要：“拉康加羌姆”是“拉康娘曲边贸会”的开场节目,建立了一个时间之内外,社会关系之内外的“阈限”阶段,把分属不同区域的人群聚合在一起,使大家能在一起达成共识、完成交易。“拉康加羌姆”总共6场展演,生产了一个具有“阈限”与“交融”功能的交易空间。该节目的编排内容依次有接触、分享食物、净化、问候、交换、联合、驱邪、交融等聚合礼仪的内容,聚合了不同区域的人群,形成了进行交易的交融时空。As the opening program of the Border Trade Fair,lha khang kya cham dance has allowed people to gather and reach consensus for trade to occur,which is a space established at a"liminal"phase engendering the inside and outside of time and between inside and outside of social relations that used to divide people into different regions.Lha khang kya cham dance has six performances,creating a trading space with"liminality"and"integrating"functions.The content sequences include contact,food sharing,purification,greeting,exchange,union,exorcism,and integration,which gathers people from different regions to form trade and integrate time and space.

关 键 词：拉康加羌姆 阈限 情景剧 交融 

分 类 号：J7[艺术—舞蹈]