“翻新小说”的破体与“四大奇书”的近代经典化  

The Breaking of the Refurbished Novel Had Promoted the Modern Canonization of the Si Da Qi Shu

作　　者：温庆新[1] 张晶晶 Wen Qingxin;Zhang Jingjing(College of Literature,Yangzhou University,Yangzhou 225002)

机构地区：[1]扬州大学文学院,扬州225002

出　　处：《浙江社会科学》2023年第9期143-149,F0003,共8页Zhejiang Social Sciences

基　　金：国家社科基金后期资助一般项目“知识学视阈下明代书目小说著录研究”(22FZWB038)的阶段性成果。

摘　　要：近代“翻新小说”以新的文本结构与意义体系对“四大奇书”展开“翻新”和“反演”。相关创作采用拟古论今的策略,促使“四大奇书”在“翻新小说”的文本中具有强烈的现实指向性。尤其是陆士谔以“诙谐”笔墨与“游戏”态度,抓住“有奇何妨共赏”进行“四大奇书”文本的新构,推动了“四大奇书”被架空的文本体系与近代“价值系统”之间的契合度。“翻新小说”以人物故事的可感形象与可读趣味深化了“四大奇书”文本特征与意义的多元性。此类创作现象不仅增加了“四大奇书”的关注度亦有文本的扩容,有助于强化“四大奇书”的经典性及其在近代的存在意义。Modern renovated novels had carried out various renovations and reversals of Si Da Qi Shu with a new text structure and meaning system.The relevant creation adopted the way of imitating the past and discussing the present,which led to the strong realistic orientation of Si Da Qi Shu in the novel text.For example,Lu Shie had adopted a humorous style of writing and a game attitude,and had seized the perspective of peculiar to reconstruct the text of Si Da Qi Shu.This approach ensured the consistency between the book’s elevated text system and the modern value system.In short,the renovation novel had deepened the diversity of the text features and meanings of Si Da Qi Shu with the perceptible images and readability of the characters’stories.This not only increased the attention of Si Da Qi Shu,but also expanded the text.So,it helped to strengthen the classicality of Si Da Qi Shu and its significance in modern times.

关 键 词：四大奇书 翻新小说 陆士谔 经典化 

分 类 号：I207.41[文学—中国文学]