清代琴人的地位考略——对高罗佩《琴道》的思考  

A Preliminary Research of the Status of Qin Masters in the Qing Dynasty——Reflections on Robert Hans van Gulik's Qindao

作　　者：黄思雯 HUANG Siwen(School of Music,Putian University,Putian Fujian 351100,China)

机构地区：[1]莆田学院音乐学院,福建莆田351100

出　　处：《莆田学院学报》2023年第4期79-84,共6页Journal of putian University

基　　金：福建省高校哲学社会科学研究项目(JAS21253)。

摘　　要：认为高罗佩的《琴道》中关于清代国人对古琴的兴趣日益减退、职业琴师依靠授琴来维持生计的观点有失偏颇。考证清代地方志等史料,发现清代琴人生存状况并非如同高罗佩所说的“地位一落千丈”;相反,古琴在社会各阶层的共同推动下得以普及,推动了社会风气的儒化进程。It is argued that Robert Hans van Gulik's Qindao is biased in suggesting that Chinese people's interest in the Guqin was declining in the Qing Dynasty and that professional qin masters relied on teaching Guqin to make a living.It is clear from an examination of local chronicles and other historical sources that the situation of qin masters in the Qing Dynasty was not,as Robert Hans van Gulik suggests,"a decline in status";on the contrary,Guqin was popularised by all sectors of society and contributed to the Confucianization of social mores.

关 键 词：高罗佩 《琴道》 清代 琴人 古琴 儒化 

分 类 号：J603[艺术—音乐]