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作 者:王发堂[1] 韩雨菲 Wang Fatang;Han Yufei
机构地区:[1]武汉理工大学土木工程与建筑学院
出 处:《华中建筑》2023年第9期7-10,共4页Huazhong Architecture
基 金:湖北省社科基金(编号:HBSK2022YB551)。
摘 要:人类审丑意识诞生的艰难性印证了丑学的复杂性和动态性。在建筑艺术领域,以丑学为理论基础,将建筑的丑区分为“形式丑”与“艺术丑”两个层面。丑学深深根植于时代文化中呈现出丑的辨证发展,建筑领域对于丑的论断也难以逃脱时代与文化的桎梏。对于丑的建筑,应投入精力、谨慎决断,减少低质量建筑,挖掘具有潜质的丑的建筑,使其成为建筑文化发展进步的长足之力。The complexity and dynamics of uglology have been proved by the difficulty of the birth of human consciousness of examining ugliness.In the field of architectural art,based on the theory of uglology,architectural ugliness is divided into"formal ugliness"and"artistic ugliness".Uglology is deeply rooted in the dialectical development of ugliness in the culture of the times,and the judgment of ugliness in the field of architecture is difficult to escape the shackles of the times and culture.As for ugly buildings,we should invest energy and make prudent decisions to reduce low-quality buildings,to excavate ugly buildings with potential,and to make them become a long-term force for the development and progress of architectural culture.
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