二十世纪末港台流行音乐理论探究——以歌曲《Amani》与《心雨》为例  

A Study on the Theory of Popular Music in Hong Kong and Taiwan in the Late Twentieth Century--Take Amani and Heart Rain as Examples

作　　者：吴学宇 杨茜 WU XUE-yu;YANG Qian(School of Music and Dance,Lanzhou University of Arts and Science,Lanzhou Gansu 730000)

机构地区：[1]兰州文理学院音乐舞蹈学院,甘肃兰州730000

出　　处：《甘肃高师学报》2023年第4期138-142,共5页Journal of Gansu Normal Colleges

基　　金：2022年世界银行货款甘肃省职业教育发展项目--兰州文理学院子项目(WLXY-S-01-4)

摘　　要：二十世纪末期是港台流行音乐金曲爆发的特定历史时期,文章以这一时期港台具有代表性的歌曲《Amani》与《心雨》为例,探寻了两首港台歌曲的创作背景,分析了港台流行音乐的理论特征和艺术特色,剖析了港台流行音乐在和声、复调、曲式、配器等音乐理论方面的同异性,探讨了港台流行音乐对内地流行音乐的影响,为我国流行音乐发展研究提供了必要的音乐理论依据.The late 2Oth century is a specific historical period when the golden songs of Hong Kong and Taiwan pop music broke out.This paper takes the representative songs Amani and Heart Rain of Hong Kong and Taiwan in this period as an example to explore the creation background of the two songs,analyze the theoretical and artistic characteristics of Hong Kong and Taiwan pop music,and analyze their similarities and differences in music theories such as harmony,polyphony,musical form,orchestration.This paper probes into the influence of Hong Kong and Taiwan pop music on the mainland pop music,and provides the necessary theoretical basis for the development of Chinese pop music.

关 键 词：二十世纪末 港台 流行音乐 理论探究 

分 类 号：J609.2[艺术—音乐]