元代瓷上杂剧元素成因探析  

The Reason Analysis of the Formation of Zaju Elements on Porcelain in the Yuan Dynasty

作　　者：尚想 吴涛 Shang Xiang;Wu Tao

机构地区：[1]景德镇陶瓷大学

出　　处：《中国陶瓷工业》2023年第4期108-113,共6页China Ceramic Industry

摘　　要：元代是我国杂剧发展史上的黄金时期,杂剧故事的唱词道白、故事情节、演出情景等得到广泛传播,为人们所喜闻乐见。在这一社会风尚下,磁州窑、龙泉窑、景德镇窑瓷器上出现了不少杂剧元素,并与各自的装饰技法相结合,成为这一时期瓷上装饰的突出特点。瓷上杂剧元素的形成,既受到杂剧演出场所、演出情景的直接影响,也与元人独特的爱情观及道教和神仙道化剧的流行有着密切关系,此外亦有文人参与创作青花瓷上杂剧人物故事图的现象。多种因素的综合作用,使得这一时期的瓷上杂剧元素创作呈现较为繁荣的局面。The Yuan Dynasty was a golden age in the history of Chinese Zaju.The lyrics,storylines,and performance scenes of the Zaju stories were widely spread and were popular with people.Under this social trend,many Zaju elements appeared in the products of Cizhou,Longquan,and Jingdezhen kilns,and combined with their own decorative techniques,became the most prominent characteristics of porcelain decoration in this period.The formation of the elements of Zaju on porcelain was not only directly affected by the performance venue and scene of Zaju,but also closely related to Yuan people's unique view of love and the popularity of Taoism and immortal generated by Taoist dramas.In addition,there are also literati to participate in the creation of blue and white porcelain on the drama character story diagram phenomenon.The comprehensive effect of various factors made the creation of porcelain drama elements more prosperous in this period.

关 键 词：元代瓷器 元杂剧 爱情观 文人创作 神仙道化剧 

分 类 号：I207.37[文学—中国文学] K247[历史地理—历史学] J527[历史地理—中国史]