《三六》者,三十六板也!  

San Liu is Thirty⁃six Ban

作　　者：伍国栋[1] WU Guodong

机构地区：[1]中国艺术研究院,北京100029

出　　处：《浙江艺术职业学院学报》2023年第2期49-54,共6页Journal of Zhejiang Vocational Academy of Art

摘　　要：江南丝竹名曲《三六》,在过去多部有影响的“百科”“词典”类工具书条目描述中,标题具体含意和来源语焉不详,但又只列出它与清李芳园《琵琶新谱》中“古典曲目”相关联的说法,确有产生误读和误导之弊。鉴于《三六》曲目的影响力和代表性,通过文献钩沉、口碑材料和乐谱传承等证据可以得出结论,过去关于《三六》出于《梅花三弄》小标题“三叠落梅”之“三落”谐音的说法,系出于相关文人乐家的伪托和附会。其真正本源和确切含意,实为曲目本体板拍型态结构的数质规定,系中国传统戏曲音乐和曲艺音乐“板腔体式”母题构成的一种原生性标识。The famous Jiangnan silk and bamboo song San Liu was described in several influential“encyclopedia”and“dictionary”reference books,left the specific meaning and source of the title unclear.However,they only listed the statement that it is related to the“classical repertoire”in Li Fangyuan's New Scores of Pipa of Qing Dynasty,which does have the drawbacks of misreading and misleading.Given the influence and representativeness of the reper⁃toire of San Liu,it can be concluded through evidence such as literature review,word-of-mouth materials,and mu⁃sical score inheritance that the previous claim that San Liu is homophonic to“San Luo”in the subheading of“San Die Luo Mei”in Mei Hua San Nong is due to the false pretense and affiliation of the relevant literati and musicians.The true origin and exact meaning of it are actually the numerical and qualitative regulations of the beat structure of the noumenon of the music,and it is a primitive symbol composed of the“beat and tone style”of traditional Chinese opera music and folk art music.

关 键 词：江南丝竹 《三六》 标题来源 板式结构 

分 类 号：J607[艺术—音乐]