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作 者:张宁[1] ZHANG Ning(School of Humanities,Hunan City University,Yiyang Hunan 413000,China)
出 处:《菏泽学院学报》2023年第4期95-98,104,共5页Journal of Heze University
基 金:湖南省社会科学成果评审委员会课题(XSP21YBZ089)。
摘 要:九一八事变后,文坛上出现了旧体诗“写作热”,旧体诗创作者抛开个人得失,把关注的焦点转向现实危机及民族存亡的前途命运,将现实主义精神推向新境界。他们在三个方面拓展了旧体诗的精神维度,首先直面东三省的沦陷,书写对社会现状的不满,带有强烈的戏谑性、讽刺性和批判性;其次歌颂抗战英雄,呼唤拯溺扶危的侠义精神;最后表现民族危亡之际个体的抗争,表达抛头颅、洒热血的个体情怀。这既是浸染传统文化的知识分子的应变之举,也是鸦片战争后爱国诗潮的崭新演绎,折射出中华民族的自省和精神的觉醒,构成了中华民族抗战精神不可或缺的一部分。After the Mukden Incident,there was a surge of interest in classical poetry in the literary world,and creators of classical poetry shifted their focus from personal gains and losses to the crisis of reality and the destiny of the nation’s survival.This propelled the spirit of realism to new heights.They expanded the spiritual dimension of classical poetry in three aspects.Firstly,they directly confronted the occupation of the Northeast provinces and expressed their dissatisfaction with the social situation through strong satire,irony,and criticism.Secondly,they praised the heroes of the resistance war and called for the chivalrous spirit of rescuing the drowning and helping the needy.Finally,they depicted the individual struggles during the national crisis,expressing the individual sentiments of sacrificing oneself and shedding blood.This was not only an adaptive response from intellectuals deeply influenced by traditional culture,but also a fresh interpretation of patriotic poetry after the Opium War,reflecting the introspection and spiritual awakening of the Chinese nation.It has become an indispensable part of the Chinese national spirit of resistance.
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