接受美学视域下的海派旗袍文化研究——以电视剧《传家》为例  

Study on the culture of Shanghai style cheongsam from the perspective of reception aesthetics:taking the TV serial Legacy as an example

作　　者：张源 杨春慧[1] Zhang Yuan;Yang Chunhui(School of Arts and Sciences,Beijing Institute of Fashion Technology,Beijing 100029,China)

机构地区：[1]北京服装学院文理学院,北京100029

出　　处：《纺织报告》2023年第7期117-119,共3页

基　　金：北京服装学院2023年研究生科研创新项目(X2023-112)。

摘　　要：海派旗袍作为中华优秀传统服饰,具有一定的历史价值和时代意义。文章以接受美学理论作为指导,运用其核心观点“期待视野”与“召唤结构”,分析电视剧《传家》中的海派旗袍服饰接受美学。该剧尊重历史、传承文化,不断构建观众的新期待,弥补观众的文化空白,并帮助观众建立新的审美意识,传承并传播了我国优秀服饰文化,增强了民族自信与文化自信。As an Chinese excellent traditional costume, Shanghai style cheongsam has certain historical value and significance.This paper takes the theory of accepting aesthetics as the guidance and uses its core viewpoints of “expectation horizon” and“calling structure” to analyze the reception aesthetics for the Shanghai style cheongsam in the TV serial Legacy. This TV serialrespects history and inherits culture, continuously constructs new expectations for the audience, fills the cultural gaps of theaudience, and help the audience to establish a new aesthetic awareness. It inherits and spreads Chinese excellent costume culture, andenhances national confidence and cultural confidence.

关 键 词：接受美学 《传家》 海派旗袍 服饰文化 

分 类 号：J523.5[艺术—艺术设计]