论艺术自律与于坚诗歌的先锋性  

On the Artistic Autonomy and Pioneering Nature of Yu Jian’s Poetry

作　　者：黄迈 禹志云[1] 骆锦芳[1] HUANG Mai;YU Zhiyun;LUO Jinfang(College of literature,Yunnan Normal University,Kunming 650500,China)

机构地区：[1]云南师范大学文学院,云南昆明650500

出　　处：《文山学院学报》2023年第4期72-77,共6页Journal of Wenshan University

基　　金：云南师范大学研究生科研创新基金项目“于坚诗歌创作的审美现代性研究”(YJSJJ22-B09)。

摘　　要：艺术自律是审美现代性的基本原理,它强调艺术在社会系统中的独立性、自足性与非功利性,是艺术自觉的表现。于坚的诗歌理论中有着鲜明的艺术自律思想,这为其诗歌的先锋性奠定了思想基础。于坚诗歌的先锋性主要体现在反叛性、实验性以及自反性三个方面。于坚的先锋诗歌极大地激发了汉语的活力,作为范式,它们已经对当代新诗的发展产生了深刻的影响。As the fundamental of aesthetic modernity,artistic autonomy emphasizes the independence,self-sufficiency and nonutility of art in the social system,manifesting artistic consciousness.Distinctive artistic autonomy is shown in Yu Jian’s poetic theories,which makes ideological basis of pioneering of his poetry.The pioneering nature of Yu Jian’s poetry is mainly reflected in three aspects—rebelliousness,experimental and reflexivity.Pioneering poetry by Yu have stimulated the vitality of Mandarin.As a paradigm to modern poems,they have exert quite profound influence on the development of contemporary poetry in China.

关 键 词：艺术自律 于坚 先锋诗歌 审美现代性 

分 类 号：I207.25[文学—中国文学]