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作 者:潘晓宇 戚涛[1] PAN Xiaoyu;QI Tao(School of Foreign Languages,Anhui University,Hefei 230601,Anhui,China)
出 处:《安徽工业大学学报(社会科学版)》2023年第1期41-44,共4页Journal of Anhui University of Technology:Social Sciences
摘 要:《第十七个玩偶的夏天》以“玩偶”和“雄鹰”作为主要怀旧客体,寄托了剧中怀旧主人公们对过往歇工期美好时光的眷恋和不舍,更是凝聚了澳大利亚人民对英勇无畏的丛林生活和患难与共的伙伴情谊背后传统民族精神和民族身份的怀念和眷恋。怀旧主人公为了维护自我身份的连续性、稳定性和统一性,通过采用疏离、理想化和认同策略,在远离现实的象征时空里建构理想化的社会纽带,以补偿现实生活中归属感的缺失。The Summer of the Seventeenth Doll uses“dolls”and“eagles”as the main nostalgic objects to convey the nos-talgic protagonists’longing and reluctance to let go of the good old days during the labor breaks.It also unites the Australian people’s love for the brave and fearless bush life and the companionship in times of trouble.It is also the nostalgia and attachment of the Australian people to the traditional national spirit and identity behind the brave life in the bush and the partnership in times of trou-ble.In order to maintain the continuity,stability and unity of self-identity,the nostalgic protagonist compensates for the lack of a sense of belonging in real life by employing the strategies of detachment,idealization and identification,and by constructing ideal-ized social bonds in symbolic space and time far from reality.
关 键 词:雷·劳勒 《第十七个玩偶的夏天》 怀旧 民族身份
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